In 1890, Gilman wrote “The Yellow Wallpaper” in an effort to save other women from suffering the same oppressive treatment. Although Gilman’s attempt was successful, she claimed to suffer from post-traumatic stress from Weir Mitchell’s treatment for the rest of her life. She abandoned Mitchell’s advice and moved to California in order to overcome her depression on her own. Unlike the protagonist in her story, Gilman did not reach the point of total madness, but she knew that her deteriorating mental condition was due to the oppressive medical regime that was meant to “cure” her. Eventually, she felt herself beginning to go slowly insane from the inactivity and, at one point, was reduced to crawling under her bed holding a rag doll. Gilman attempted to endure the “rest cure” treatment and did not write or work for three months. The goal of the treatment was to promote domesticity and calm her agitated nerves. Weir Mitchell believed that nervous depression was a result of overactive nerves and ordered Gilman to cease all forms of creative activity, including writing, for the rest of her life. She was referred to Silas Weir Mitchell, a leading specialist in women’s nervous disorders in the nineteenth century, who diagnosed Gilman with neurasthenia and prescribed a “rest cure” of forced inactivity. In 1887, shortly after the birth of her daughter, Gilman began to suffer from serious depression and fatigue. “ The Yellow Wallpaper” is an exaggerated account of Charlotte Perkins Gilman’s personal experiences.
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